概括:內(nèi)容選自老托福聽(tīng)力,是練習(xí)托福聽(tīng)力的絕佳材料。


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Grant Wood
Iowa
Minneapolis
Art Institute of Chicago
European
Germany
France
Europe
the Midwestern United States
American regionalism
Before we begin our tour, I'd like to give you some background information on the painter Grant Wood - we'll be seeing much of his work today. Wood was born in 1881 in Iowa farm country, and became interested in art very early in life. Although he studied art in both Minneapolis and at the Art Institute of Chicago, the strongest influences on his art were European. He spent time in both Germany and France and his study there helped shape his own stylized form of realism. When he returned to Iowa, Wood applied the stylistic realism he had learned in Europe to the rural life he saw around him and that he remembered from his childhood around the turn of the century. His portraits of farm families imitate the static formalism of photographs of early settlers posed in front of their homes. His paintings of farmers at work, and of their tools and animals, demonstrate a serious respect for the life of the Midwestern United States. By the 1930s, Wood was a leading figure of the school of art called "American regionalism". In an effort to sustain a strong Midwestern artistic movement, Wood established an institute of Midwestern art in his home state. Although the institute failed, the paintings you are about to see preserve Wood's vision of pioneer farmers.
在開(kāi)始我們的旅途之前,我想給你一些關(guān)于畫(huà)家Grant Wood 的背景信息,我們今天將會(huì)看到很多他的作品 Wood1882年出生于愛(ài)荷華州一個(gè)鄉(xiāng)村,在他很早的時(shí)候就對(duì)藝術(shù)非常感興趣。盡管他曾經(jīng)在明尼阿波里斯市和芝加哥藝術(shù)學(xué)院學(xué)習(xí),但是最他具有深刻影響的時(shí)期是他在歐洲學(xué)習(xí)的時(shí)候,他在德國(guó)和法國(guó)花了時(shí)間學(xué)習(xí),其研究成果幫助他在現(xiàn)實(shí)主義畫(huà)派中形成了自己的風(fēng)格形式。 當(dāng)他回到愛(ài)荷華州,Wood將其在歐洲學(xué)習(xí)到的現(xiàn)實(shí)主義畫(huà)法應(yīng)用到了他所見(jiàn)到的鄉(xiāng)村風(fēng)格的生活環(huán)境中,并回憶起他童年時(shí)代所的到的樂(lè)趣。他的關(guān)于農(nóng)村家庭的肖像畫(huà)模仿了早期的定居者在他們家門(mén)口所拍攝的照片的靜態(tài)形式。他關(guān)于農(nóng)民勞作的畫(huà),還有他們的工具和動(dòng)物,深深的受到了美國(guó)中西部地區(qū)的生活的影響。在19世紀(jì)30年代,Wood成為了被稱為“美國(guó)地方畫(huà)派”的領(lǐng)軍人物。 在一場(chǎng)強(qiáng)力的推動(dòng)美國(guó)中西部藝術(shù)的運(yùn)動(dòng)中,Wood在他的老家成立了一個(gè)中西部藝術(shù)協(xié)會(huì),盡管這個(gè)協(xié)會(huì)最后解散了,但是你所看到的畫(huà)都是Wood所展示的拓荒者-農(nóng)民。 ——譯文來(lái)自: zaraluo