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PS

A.??? ?Guy de Maupassant

B.???? O. Henry

C.???? 書名按寫作標題的格式撒~

Some writers venture into less predictable plots, which might even seem to be plotless. Some authors complicate the structure of their plots with the use of flashbacks and flash-forwards; with the frame of a story within a story; or with subplots or double plots which means two or more equally important narratives progressing simultaneously. Besides, another unique technique called deliberate ambiguity or open-endedness is a plot feature found in many modern stories. The surprise endings of French author Guy de Maupassant, as in his 1884 story The Necklace, influenced many commercial writers but also some literary ones. At the turn of the century, American author O. Henry became famous for his paradoxical style and surprise endings, such as in A Gift of the Magi.
一些作者使用閃回和閃前使情節(jié)和結(jié)構(gòu)復(fù)雜化;有的使用戲中戲的結(jié)構(gòu);還有的使用次要情節(jié)或雙情節(jié),意味著兩個或兩個以上的同等重要的敘事同時進展。此外,另一個獨特的技術(shù)稱為蓄意歧義或開放性,是在許多現(xiàn)代小說中所使用的一個情節(jié)特點。法國作家居伊?德?莫泊桑的作品有許多令人驚訝的結(jié)尾,像1884的小說《項鏈》,影響了許多商業(yè)作家以及一些文學(xué)作家。在19世紀之交,美國作家歐?亨利矛盾的風(fēng)格和出人意料的結(jié)局聞名于世,如《麥琪的禮物》一文。 翻譯 by sugarle