"It's definitely different," says Emmy winner Tatiana Maslany about Orphan Black: The Next Chapter, which will see the actor reprise her most famous role(s) in a completely new format: an audio series.

艾美獎(jiǎng)得主塔提阿娜·瑪斯拉尼談到《黑色孤兒:下一篇章》時(shí)說(shuō)：“這部劇絕對(duì)不一樣，” 這位演員在劇中將以一種全新的廣播劇形式重新演繹她最著名的角色。

"I was always very reverent of voice actors and always very fascinated by that process, and that was definitely something that I brought to the original work on Orphan Black: an understanding of just how sound transmits truth, or sound transmits intention, or any of that."

“我一向很敬重配音演員，并且對(duì)這個(gè)過(guò)程非常著迷，我也在《黑色孤兒》的原作中加入了一些東西，那就是我所理解的用聲音傳遞真理，或者是用聲音傳達(dá)意圖，或者其他類似的東西?！?/div>

There's one other key difference between working in a visual medium and working in a purely aural one: "I get to do it in sweatpants, man. It's the best."

在視覺(jué)媒體上表演和通過(guò)純聽(tīng)覺(jué)環(huán)境表演還有一個(gè)重要的區(qū)別：“我穿著運(yùn)動(dòng)褲就能演，這才是最棒的?！?/div>

Just over two years ago, in August of 2017, Orphan Black wrapped its run on BBC America after five acclaimed, award-winning seasons.

在兩年多以前，也就是2017年8月份，《黑色孤兒》在英國(guó)廣播公司美國(guó)頻道上播出備受贊譽(yù)、屢獲殊榮的五季之后完結(jié)。

But it turns out that the show's satisfying series finale wasn't the end of the line for the show's central group of sestras; their story will continue in The Next Chapter, a 10-episode audio series to be released on Serial Box, a streaming platform for serialized audio fiction, beginning on Thursday, Sept. 12.

但結(jié)果這部劇令人滿意的大結(jié)局并不是劇中中心姐妹團(tuán)的故事結(jié)局，她們的故事還將在《下一篇章》中繼續(xù)，這部10集的廣播劇將于9月12日星期四在Serial Box上發(fā)行，這是一個(gè)連載音像小說(shuō)的流媒體平臺(tái)。

"There's a lot in the world that can be expanded on," Maslany tells Bustle about her choice to return to the world of Orphan Black.

瑪斯拉尼對(duì)Bustle網(wǎng)站說(shuō)了自己選擇回歸《黑色孤兒》的想法：“世界上有很多東西可以擴(kuò)展”。

"The writers made so many cool choices while we were doing the series that you can kind of jump off of and make an entire thing out of. But also, for me, it was just getting to make something for the fans who have always been so loyal to us — and even after the series ended have continued to be loyal — that was an exciting prospect for me, the main reason to come back to it."

“作家們做了這么多很酷的選擇，我們拍的劇就是讓你可以從中跳出來(lái)，并且獲得完整的感受。對(duì)我來(lái)說(shuō)也是這樣，就想為粉絲們做點(diǎn)什么，他們一直很鐘愛(ài)我們，甚至在這部劇完結(jié)之后，他們依舊很喜歡我們，這對(duì)我來(lái)說(shuō)是一個(gè)令人興奮的前景，是我回歸的主要原因。”

Another key difference between transitioning from a TV show to an audio series is that Maslany no longer had body language to help her distinguish between her many unique characters.

從電視劇過(guò)渡到廣播劇的一個(gè)關(guān)鍵點(diǎn)就是瑪斯拉尼再不能用肢體語(yǔ)言來(lái)幫助她區(qū)分眾多獨(dú)特的角色了。

Maslany's performance was an incredibly physical one, with each clone moving and gesticulating and holding themselves differently. With The Next Chapter, she had only her voice to differentiate them.

瑪斯拉尼的表演是一場(chǎng)令人難以置信的肢體表演，每個(gè)克隆體的移動(dòng)、手勢(shì)和抱自己的方式都不一樣。而在《下一篇章》中她只能利用聲音來(lái)進(jìn)行區(qū)分。

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翻譯：菲菲