master’s degree – 博士學(xué)位doctoral degree 24. 研究生院graduate school – 研究生postgraduate 25. 畢業(yè)論文thesis 26. 導(dǎo)師supervisor = 導(dǎo)師tutor = 負(fù)責(zé)人in charge 27. 系主任dean 28. 課程curriculum = course = program 29. 哲學(xué)philosophy – 心理學(xué) psychology 30. 社會學(xué)sociology 31~40 31. 官僚bureaucracy 32. 學(xué)期論文term paper 33. 草稿draft 34. 傳記

出現(xiàn)的時間、數(shù)字、地點(diǎn)等信息，要按在短文中出現(xiàn)的前后順序做好記錄，并注意其邏輯順序，不要一出現(xiàn)數(shù)字就馬上選擇，而應(yīng)先記錄在一邊，然后根據(jù)所提問題做選擇。 (2) 務(wù)必聽清問題，再確定正確選項(xiàng)。有些考生在做該部分題目時不太注意問題內(nèi)容，在聽到與選項(xiàng)一致的句子后匆匆作答，結(jié)果選錯答案。同一組選項(xiàng)，結(jié)合不同的提問就會有不同答案。因此，一定要堅(jiān)持聽完問題再做出最后的判斷。 ?屠皓民

出現(xiàn)的各種信號詞： 強(qiáng)調(diào)語氣 well.../I mean.../you know.../as you can see.../actually/basically .../So... 高

遇到這類場景，就有了詞匯基礎(chǔ)和知識背景，聽起來就會輕松很多。 另外，若發(fā)現(xiàn)同一場景下的新詞匯，還可以添加到詞匯記錄中去。經(jīng)過一定量的練習(xí)，大家會發(fā)現(xiàn)有些場景是經(jīng)常出現(xiàn)的。 舉例：場景詞匯： 一、餐廳 重點(diǎn) 1.點(diǎn)菜： Order menu wine list (酒單) alcohol steak French Fries (薯?xiàng)l) 2. 埋單： Check the bill please!(埋單!) Treat (請客) split the bill (分開付) 二、圖書館 重點(diǎn) 1.書籍： journal 學(xué)術(shù)類刊物 (08-6) volume 卷 current/back issue 現(xiàn)/過刊 periodical 期刊 2.人物： librarian 圖書管理員 三、機(jī)場(飛

文中new的近音干擾，C)項(xiàng)中的forget是對have got to的近音干擾。 因此，在遇到這類題時，要求考生要仔細(xì)，不要一看到干擾項(xiàng)就立即作出選擇，從而中了題設(shè)陷阱。 ? 此外，還要注意語音、語調(diào)。 句子形式與語調(diào)關(guān)系 1.以陳述句為表達(dá)形式而句末用升調(diào)，表示說話人的懷疑，不同意或不完全同意對方的觀點(diǎn)。 2.句子結(jié)構(gòu)是陳述形式，但句末用的是降調(diào)或低升調(diào)，表示說話人的無所謂或樂觀的態(tài)度，不表示懷疑。 3.感嘆句用升調(diào)結(jié)尾，表懷疑。 4.疑問句句末用升調(diào)表示懷疑，而用降調(diào)不表懷疑。如"Is he honest?"用降調(diào)表示說話者認(rèn)為他是誠實(shí)的。 掌握以上聽力技巧，新聞短篇部分幾本上就十拿九穩(wěn)了，想更加有把握的話，平時不妨多關(guān)注時下新聞時事、熱點(diǎn)等，兩手準(zhǔn)備，勝算更

可以幫助所有年齡段的人避免癌癥。 ?heart disease? 慢性心臟病 [真題例句] It is a possible cure for heart disease.? 這是治療心臟病的一種可能的方法。 ?heart attack ? 心臟病發(fā)作 [真題例句] They suffered from heart attack.? 他們患了心臟病。 ?excessive bleeding? 流血過多 [真題例句] They died from excessive bleeding.? 他們死于大出血。 ?twisted ankle? 扭傷腳踝 [真題例句] Today is a bad day for me. I fell off a step and twisted my ankle.? 今天對我來

說話，即在實(shí)踐中運(yùn)用所學(xué)的知識，進(jìn)行實(shí)戰(zhàn)演練。 是騾子是馬拉出來遛遛，不要怕失望，不要怕丟臉，唯有敢說多說，發(fā)音才會越來地道，口語才會越來越流利。 三.學(xué)好英語發(fā)音的方法 1.觀察別人的口型，并模仿 或者當(dāng)你在看英語節(jié)目時，觀察以英語為母語的人的嘴型并重復(fù)他們所說的話，模仿時要特別注意他們的語調(diào)和節(jié)奏變化。 2.學(xué)習(xí)使用英語詞典 試著熟悉字典里單詞的音標(biāo)，找出自己發(fā)音困難的單詞的正確發(fā)音。 3.找出不足并學(xué)習(xí) 列出英語口語中常見的單詞。對于那些自己覺得特別難發(fā)音的詞，可以找朋友或外教示范發(fā)音，記下這些的發(fā)音之后，然后練習(xí)。 可以買一些帶音頻的英語書，從文章中音選擇一些片段，大聲朗讀并錄音。然后比較CD上的發(fā)音，可以發(fā)現(xiàn)自己發(fā)音不準(zhǔn)確的地方并糾正練習(xí)。 以上就是小編給大家分享的英語發(fā)音學(xué)習(xí)方法，希望可以給大家學(xué)習(xí)帶來幫助。 如果您對英語學(xué)習(xí)感興趣，想要深入學(xué)習(xí)，可以了解滬江網(wǎng)校精品課程，量身定制高效實(shí)用的個性化學(xué)習(xí)方案，專屬督導(dǎo)全程伴學(xué)。掃一掃領(lǐng)200暢學(xué)卡

解題的根據(jù)主要有四點(diǎn)：一是根據(jù)對話的開頭判斷該對話的主要內(nèi)容；二是根據(jù)對話的結(jié)尾判斷對話的主題；三是根據(jù)對話中多次出現(xiàn)的主要信息做合理的判斷；四是通過預(yù)覽選項(xiàng)進(jìn)行合理的推理排除。 例4：What problem are the speakers discussing? A) The man has sent the order to the woman by mistake.B) Some of the telephone systems don’t work properly.C) Some of the packs do not contain any manuals.D) The quality of the goods is not up to the standard. 原文：W: What can I do for you? M: Well, unfortunately, there is a problem with the order we received from you yesterday. It seems we’ve not received the right quantity of manuals to support the telephone system. W: Oh, dear, that’s bad news. I’m very sorry to hear that, and you don’t know how many packs are without manuals? M: No, because we haven’t opened every pack. But in several of those that have been opened there are none. No manuals. 答案：C)。本題的關(guān)鍵詞是 manual，出現(xiàn)的問題并非在于產(chǎn)品的質(zhì)量，而是缺少使用手冊，故C）為答案。 05 時間數(shù)字處 設(shè)題對話中出現(xiàn)年代、時間、價格等數(shù)字信息的地方，也經(jīng)

2024年12月英語四級考試將在12月14日上午舉行，大家要認(rèn)真復(fù)習(xí)哦。為了幫助同學(xué)們更好地備考四級，@滬江英語四六級微信公眾號整理了2024年12月英語四級翻譯練習(xí)：北京介紹，一起來看看吧。 2024年12月英語四級翻譯練習(xí)：北京介紹 北京是座有三千年歷史的古城。早在公元前十一世紀(jì)，北京就是燕國的國都，因此北京有燕京之稱。在以后的幾千年里，北京又成為金、元、明、清各朝的國都。北京是中國的六大古都之一，其他五個是西安、南京、洛陽、開封和杭州。北京是座既古老又年輕的城市，有許多名勝古跡。從故宮、天壇到頤和園，你們可以看到北京保留了許多昔日的風(fēng)采。 參考譯文 Beijing

理了2024年12月英語四級閱讀理解模擬：電視有害，一起來看看吧。 2024年12月英語四級閱讀理解模擬：電視有害 Yes, but what did we use to do before there wastelevision? How often we hear statements like this! Television hasn't been with us all that long, but weare already beginning to forget what the world was like without it. Before we admitted the one-eyed monster into our homes, we never fond it difficult to occupy our spare time. We used toenjoy civilized pleasures. For instance, we used to have hobbies, we used to entertain ourfriends and be entertained by them, we used to go outside for our amusements to theatres, cinemas, restaurants and sporting events. We even used to read books and listen to music andbroadcast talks occasionally. All that belongs to the past. Now all our free time is regulatedby the goggle box. We rush home or gulp down our meals to be in time for this or thatprogramme. We have even given up sitting at table and having a leisurely evening meal, exchanging the news of the day. A sandwich and a glass of beer will do anything, providing itdoesn't interfere with the programme. The monster demands and obtains absolute silenceand attention. If any member of the family dares to open his mouth during a programme, he isquickly silenced. Whole generations are growing up addicted to the telly. Food is left uneaten, homeworkundone and sleep is lost. The telly is a universal pacifier. It is now standard practice formother to keep the children quiet by putting them in the living-room and turning on the set. Itdoesn't matter that the children will watch rubbishy commercials or spectacles of sadism andviolence so long as they are quiet. There is a limit to the amount of creative talent available in the world. Every day, television consumes vast quantities of creative work. That is why most of the programmes areso bad: it is impossible to keep pace with the demand and maintain high standards as well. When millions watch the same programmes, the whole world becomes a village, and society isreduced to the conditions which obtain in preliterate communities. We become utterlydependent on the two most primitive media of communication: pictures and the spokenword. Television encourages passive enjoyment. We become content with second-handexperiences. It is so easy to sit in our armchairs watching others working. Little by little, television cuts us off from the real world. We get so lazy, we choose to spend a fine day insemi-darkness, glued to our sets, rather than go out into the world itself. Television may be ssplendid medium of communication, but it prevents us from communicating with each other. We only become aware how totally irrelevant television is to real living when we spend aholiday by the sea or in the mountains, far away from civilization. In quiet, naturalsurroundings, we quickly discover how little we miss the hypnotic tyranny of King Telly. 1. What is the biggest harm of TV? [A] It deprives people of communication with the real world. [B] People become lazy. [C] People become dependent on second-hand experience. [D] TV consumes a large part of one's life. 2. In what way can people forget TV? [A] Far away from civilization. [B] To a mountain. [C] By the sea. [D] In quiet natural surroundings. 3. What does a mother usually do to keep her children quiet? [A] Let them watch the set. [B] Put them in the living room. [C] Let them watch the rubbish. [D] Let them alone. 4. What does the first sentence in the first paragraph mean? [A] We found it difficult to occupy our spare time. [B] We become addicted to TV. [C] What we used to do is different from now. [D] We used to enjoy civilized pleasures. Vocabulary 1. goggle 轉(zhuǎn)動眼珠，瞪眼 goggle box (英俚)電視機(jī) 2. gulp 狼吞虎咽 3. telly 電視機(jī) 4. pacifier 平息者，撫慰者。這里指平靜人，使人不吱聲的東西。 5. rubbishy 垃圾的，無價值的 6. sadism 施淫虐 7. glue 膠(水);粘牢 glue to the sets 和電視機(jī)粘在一起，指成了電視迷 8. hypnotic 催眠的 寫作方法與文章大意 這是一篇論說“電視有害”的文章。采用對比分析手法。先提出問題，對比過去和現(xiàn)在“過去在業(yè)余時間，我們享受文明的歡樂，有各種嗜好，招待朋友，訪友，外出娛樂，在家讀書聽音樂……現(xiàn)在一切受