Francis Underwood is one of those characters who has politics tragics at hello. The House of Cards congressman is the politician we would all write if we could pen novels or compelling scripts for television drama – which most of us can’t. He’s a character living in the collective dreaming of people who watch politics as intently and passionately as other people watch football – the embodiment of our most wicked thoughts.
Francis Underwood 是一個(gè)能夠打動(dòng)人心的政治角色?！都埮莆荨分械膰?guó)會(huì)議員這一政治形象，是我們?cè)趯懶≌f或者編纂戲劇劇本時(shí)描繪出的形象，但并不是每個(gè)人都有這個(gè)能力。這個(gè)政治家只是在那些專注而熱情地旁觀政治的人們心中存在的美好愿景而已，就像那些足球迷瘋狂地觀看著足球比賽一樣，這部劇是我們最邪惡思想的化身。

So what is politics in reality, away from the gloss of cable TV drama? Mostly punishing incremental work. One inch forward, a great slide backwards. It’s good intentions felled by events. It’s good days and bad days. There are more stuff-ups than conspiracies. There is treachery, but it’s mainly suburban and small rather than grandly operatic. There are strong men who control weak men (yes, mainly men, although not exclusively). People fall in and out with each other, compromise themselves, fail to live up to their best aspirations, lose nerve and will. But then of course there are those great moments: courage, heart, bravery, truth. Acts of genuine reform, and acts of progress. The moments that make hope not ridiculous.
那么，撥開電視劇集中的云霧，現(xiàn)實(shí)生活中的政治是什么樣子的呢？其實(shí)大部分都是懲罰性的增量活動(dòng)，每向前一步，就有可能引起大規(guī)模倒退。好的意圖總是被不好的事故擊垮，好日子和壞日子交替出現(xiàn)。這里有比陰謀更黑暗的東西，有背叛，但是無傷大雅。強(qiáng)權(quán)人物控制弱勢(shì)的下屬，人與人之間的關(guān)系很不穩(wěn)定，他們向?qū)Ψ匠兄Z，而又辜負(fù)了對(duì)方的最大期望，逐漸失去的勇氣和憧憬。當(dāng)然，政治界也有美好的因素，那就是膽識(shí)、愛心、勇氣和真相。貨真價(jià)實(shí)的改革、不斷的進(jìn)步和那些給與人們希望而非荒謬言論的作為。

The thing that House of Cards absolutely nails, however, is the dangerous malaise of the present. Institutions are being hollowed out, making them ripe for gaming. Democratic politics around the world is corroding in the face of an entrenched culture of deal-making and voracious demands by third party interests.
《紙牌屋》真正展示的，是現(xiàn)實(shí)生活中的駭人詬病。國(guó)家制度被日益掏空，不斷被人玩弄于掌間。在第三方利益專斷思想和貪婪需求的面前，全世界的民主政治日趨被腐蝕殆盡。

If you want the truth that House of Cards conveys to the viewer, it is this: more rubbish rises to the surface in this weightless world. The cacophony can conceal truth, not reveal it. Frank Underwood, compelling creature that he is, exists only in our dreams.
如果你想知道《紙牌屋》傳達(dá)的信息真諦，那么我在這里告訴你們：在這個(gè)失重的世界里，越來越多的垃圾浮出水面，不和諧的音符蓋住了原有的真相，?Frank Underwood 這個(gè)引人注目的角色，真的只存在于人們的夢(mèng)境中。